Estimate: |
£180,000-£225,000 |
|
110 hp, 2,443 cc dual overhead cam inline six-cylinder engine,
four-speed manual synchromesh gearbox, independent front suspension with
coil springs, independent rear suspension with swing axles and torsion
bars, four-wheel drum brakes. Wheelbase: 106"
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Without question, the 6C 2500 range of Alfa Romeos built from 1947 to
1952 marked the last generation of truly great Alfa Romeos. During World
War II, the Allies bombed the firm’s Portello factory (a suburb of
Milan), because it was producing weapons. Following the War, this
prompted Alfa Romeo to change course and start building cars for the
masses rather than continuing to build coachbuilt automobiles for the
elite. Bombing raids of 14 February, 13 August, and 20 October, 1944
reduced Alfa Romeo to a mass of rubble; the October raid finally
destroyed the Portello factory. During June and July of 1945, production
would be re-activated, but only two chassis would be produced by the
end of the calendar year. By 1947, when the 6C 2500 series of cars were
introduced, Alfa had dug itself out of the damage and once again began
civilian car production. The dual overhead cam six-cylinder engine was
essentially an evolution of the pre-war 6C 2500, which was built in
Turismo (five-passenger sedan), Sport and Super Sport versions from
1939-1943.
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The newly-styled post-war series was referred to as the Freccia d’Oro,
meaning Golden Arrow. The Golden Arrow name would be borrowed from the
all-Pullman London to Paris train of the Southern Railway symbolising
both speed and luxury. An elaborate brochure was created to promote the
new products which featured a five-passenger berlina sedan, two-seater
coupé and cabriolet, and four-seat convertible. These would be the last
Alfas built with separate frame and body and the marque’s final
coachbuilt automobiles. Bodies were supplied by Touring, Pinin Farina,
Stabilimenti Farina, Boneschi and Ghia. Exterior styling was a
combination of curves with fine details, including pop-out door handles
so as not to disturb the smooth aerodynamic styling. Gone was the
semi-rectangular grille of previous Alfas which had served on a series
of different models for an entire decade. In its place was a long narrow
triangle sweeping down from a narrow top with rounded corners to a
point at the bottom and a series of crossbars protecting the radiator
proper. Production was quite limited throughout the model run: 486 cars
in 1947, 451 in 1948, 414 in 1949, and approximately 100 from
1950-1952.
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This was also the first appearance of the shape which would become known
as the Villa d’Este. It was applied to a coupé variation on the Super
Sport theme by Touring of Milan. Much like today, the prestigious Villa
d’Este Concours was held on the shores of Lake Como in northern Italy.
Unlike today, however, where individuals show their perfect cars on
manicured lawns, those concours were held to showcase the works of
designers of the carrozzerie where new styling ideas for production and
prototype cars would be highlighted to the buying public. Alfa Romeo
would often be the recipient of awards, with 1949 perhaps being the year
in which the firm received its most important accolades. The special 6C
2500 by Touring won both the Coppa d’Oro (selected by jury) and the
Gran Premio Referendum (selected by the public) that year.
Typical of contemporary Alfa Romeos, front suspension is by
parallel-trailing-arms as previously used on Alfa and Auto Union Grand
Prix cars and later to be used on the Volkswagen Type 1 Beetle, Porsche
356 and various Aston Martins. The independent rear suspension is by
swing axles with longitudinal torsion bars. Shocks are of the
tubular-hydraulic type all around, along with drum brakes at all four
wheels. A channel section X-frame chassis holds everything together
while a four-speed synchromesh transmission is operated via a steering
column-mounted shift lever in line with the fashion of the day. All
would feature right-hand drive.
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Under the hood resides an inline six-cylinder engine including a cast
iron block and crankshaft carried by seven main bearings. A cast
aluminium cylinder head supports two camshafts operating two valves per
cylinder: one inlet and one exhaust. Combustion chambers are
hemispherical. The cams are chain-driven from the front of the
crankshaft to a sprocket just below the camshafts which in turn rotated
the shafts via spur gears. The engine breathes courtesy of three
sidedraft Weber carburettors with the engine producing 110 hp at 4,800
rpm and leading to a top speed of 171 km/h.
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It could be argued that 6C 2500 was the automobile that helped generate
much of America’s post-war enthusiasm for Italian cars. These were
milestone automobiles and, in fact, the genesis of post-war automotive
design. Enthusiasts saw them pictured in early issues of Road &
Track and Speed Age, as well as The Autocar and The Motor from England.
These beautiful cars were considered the very essence of clean styling
and refinement so atypical of American cars of the era. And, one look
under the bonnet revealed such exotic items as triple carburettors and
twin overhead camshafts – the latter of which was reserved for Indy cars
or dirt-track cars built by Frank Kurtis and the earlier Duesenberg –
things considered quite radical in American cars of the time.
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The 6C 2500 was a favourite of coachbuilders, and the car presented here
wears stunning coachwork from Pinin Farina. Pinin was the nickname of
Battista Farina (1893-1966) who began his career at his brother
Giovanni’s Carrozzeria Farina. He visited America in the 1920s, learning
much about mass production before founding Carrozzeria Pinin Farina in
1930, thirty years before the company and his name would become
Pininfarina. He is revered as one of the world’s great masters of
elegant shapes and one of the largest influences on post-war styling.
This 6C 2500 Convertible is no exception.
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It was delivered new on 27 August, 1948 in Genova, Italy. In later
years, it was imported to the United States and registered in South
Carolina before it returned to Europe in 1999, when it was sold through
Raymond Milo to a collector in the south of Holland, where it remained
for the next eight years. Upon acquiring the car in 2007, the current
owner found the car to be very complete with only the bumpers and
original headlights missing. The engine, chassis and body were all
intact, and only the floor pans had to be completely replaced, as they
were beyond repair. According to the owner, the restoration work was
quite straightforward, but states “I was meticulous in ensuring that
every nut and bolt was double-checked to ensure accuracy and
originality.” The only non-original component on the car today is the
gearbox. As the 1947 gearbox does not have synchromesh features in first
and second gears, this car has had a 1948 gearbox installed, which
makes it much more pleasing to drive.
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Having completed just 500 kilometres since its restoration, the car is
road registered and was inspected along with receiving final adjustments
and refinements in preparation for its new owner. A matching numbers,
European specification car, it wears handsome 18-inch chrome plated wire
wheels and features a stainless steel exhaust system. It has never been
offered for sale at auction previously and comes complete with an
extensive file including hundreds of photos documenting its restoration.
With its fabulous styling, interesting history, and Pinin Farina
coachwork, this Alfa will certainly be welcome at any major concours or
automotive event anywhere in the world.
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